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8 12 PDF/EPUB ☆ Paperback

Federico Fellini’s masterpiece 8 12 Otto e mezzo shocked audiences around the world when it was released in 1963 by its sheer auteurist gall The hero a film director named Guido Anselmi seemed to be Fellini’s mirror image and the story to reflect the making of 8 12 itself  Whether attacked for self indulgence or extolled for self consciousness 8 12 became the paradigm of personal filmmaking and numerous directors including Martin Scorsese Woody Allen and Bruce LaBruce paid homage to it in their own workNow that 8 12’s conceit is less shocking DA Miller argues we can see clearly how tentative even timid Fellini’s ground breaking incarnation always was  Guido is a perfect blank or is trying his best to seem one  By his own admission he doesn’t even have an artistic or social statement to offer “ I have nothing to say but I want to say it anyway”  8 12’s deepest commitment is not to this man who is never quite ‘all there’ or to his message which is lacking entirely but to its own flamboyant manner  The enduring timeliness of  8 12 lies Miller suggests in its aggressive shirking of the shame that falls on the man – and the artist – who fails his appointed social responsibilities


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